Client website updates: Les Edwards & Edward Miller

Spent most of last week with my head down, working hard on the July update for the two sites I run on behalf of Les Edwards and his artistic alter-ego, Edward Miller.

Les is a truly terrific artist; I've been a fan of his work since I was a teenager and our house is decorated with prints of some of mine and Jo's favourite pieces: 'The Darkest Part of the Woods' and 'Atkinson Revenant' in the dining room, 'The Croglin Vampire' here in the office, 'Cities' and 'Blood Follows' in our living room (actually, 'Blood Follows' is the original artwork, but we don't like to show off...) and we've just acquired a print of 'This is Now' for the bedroom. We would have bought the original artwork of that one as well, but we were reliably informed that a certain author (whose mini story collection it graces) beat us to it...

Anyhow, there are about 50 new images across the various galleries on the two sites. Generally, the first few images in each gallery are the new ones (although I'm working on ideas for the best way to make that a bit more user-friendly and obvious). Here are some of my favourites from the new batch:

The afore-mentioned 'This is Now', which was used on a Subterranean Press chapbook of three Michael Marshall Smith short stories given to attendees of the 2007 World Horror Convention in Canada:

Edward Miller artwork for 'This is Now' by Michael Marshall Smith

The quite lovely artwork for the Subterranean Press edition of Scott Lynch's The Lies of Locke Lamora (note to Gollancz with regards to their original UK cover: this is how it should've been done, folks...)

Edward Miller artwork for 'The Lies of Locke Lamora' by Scott Lynch, Subterranean Press edition

And here's the artwork for the Gollancz UK (just to show they're back on the ball...) edition of Chris Wooding's forthcoming novel The Fade:

Edward Miller artwork for 'The Fade' by Chris Wooding

They're all 'Edward Miller' rather than 'Les Edwards' pieces, I know, but that's because there's just something in the use of colour, form and texture in the Miller work that really appeals to me.

I also sent Les a few questions for an interview piece, which I posted yesterday evening over on www.uksfbooknews.net. He has some interesting things to say about the use of fantasy art in book design, if you're interested in that sort of thing.

And I shouldn't leave without mentioning that Les is having a summer sale between now and the end of September. Buy any of the fine art prints available on either website (the vast majority of the images are available as prints, apart from the pencil sketch prelims and anything where the copyright of the work is no longer owned by Les) and you'll enjoy a 20% discount on the usual prices.

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