Highly Recommended Reading: 'White Night' by Jim Butcher

'White Night' by Jim Butcher - Click for ordering info from Amazon.co.ukA new instalment of The Dresden Files? Gimme!

White Night went straight to the top of the 'to be read' pile as soon as I opened the packet from Orbit and I ended up leaving barely a few hours between finishing the rather superb Last Argument of Kings and plunging headlong into the latest rip-roaring adventures of gumshoe-wizard-detective turned magical-guardian-of-Chicago, Harry Dresden.

And in this, the eight book in what's rapidly turning into my favourite long-running series of all time, I found author Jim Butcher to be in rather excellent form, and no mistake.

I'm not going to summarise the narrative, because there's a lot of back-story and sub-plot in White Night that has been carefully lain down in earlier parts of the series that I'd pretty much have to re-cap the whole lot to-date. Instead, I recommend that you nip out and buy, beg or borrow all eight books, then settle down for a good, long read. You should be able to get through them all in a weekend if you really put your mind to it, eh?

I will say, though, that I'm really very pleased indeed with the way the series as a whole is still growing and changing; accreting new layers of meaning and detail with each new book. There can be a risk, with these multi-episodic narrative ventures, that the author's initial enthusiasm will wane, or a particular element of the storyline will come to dominate the narrative; I'm thinking of the way the soft porn aspect of Laurell K. Hamilton's Anita Blake series came to dominate and drown out most other facets of the series at round about the same stage in its development.

Not so with our man Jim Butcher and our demi-hero Harry Dresden. In White Night, there's enough in the way of ongoing continuity to provide a warm glow of familiarity for regular readers, without any of the major themes or incidents feeling too repetitious or worn-thin. In particular, this tale is blessed with the return of several favourite minor characters, some of whom haven't been seen for at least a couple of the preceding volumes.

At the same time, though, Jim Butcher has continued to expand upon his milieu, for instance with some fairly significant revelations about the state of the global situation vis-a-vis the power struggles ongoing in the supernatural spheres. He's also continuing to develop - in subtle, but significantly ways - the character of protagonist and first-person narrator Harry Dresden; ensuring that the guy remains interesting and edgy, despite eight volumes' worth of growing reader familiarity.

All of which bodes well for the twelve volumes of The Dresden Files that Jim Butcher tells us he still plans to write. He's put down plenty of potential plot-seeds and possibilities in White Night and I look forward to seeing how they blossom and bloom (bless Orbit, they're bringing out the next volume in March, in hardback... only a two-month wait!) If he can keep up the same mix of high-octane action, suspenseful intrigue, strong characterisation and effective character development, then I'll definitely remain a fan to the very end. At which point I'll hopefully find time to sit down and re-read all twenty through again. At least a couple of times...

Great stuff! Go forth! Acquire! Read!

January 25, 2008 | Filed Under Books | 9 Comments 

Highly Recommended Reading: 'Last Argument of Kings' by Joe Abercrombie

'Last Argument of Kings' by Joe Abercrombie - Click for ordering info from Amazon.co.ukA couple of days ago I finished Last Argument of Kings, the third and final part of Joe Abercrombie's debut series, The First Law. And I reckon that all in all it has been one of the most incredible, twisted, inventive and above all utterly enjoyable fantasy reading experiences I've had in a very, very long time.

Throughout The First Law Abercrombie has taken a perverse delight in herding the cherished conventions of the fantasy genre into a dank, darkened cell before gleefully waving the instruments of their interrogation before their frightened faces. The chief implements in Abercrombie's literary armoury are narrative surprise, a very dark streak of humour, an earthy and authentic use of language and dialect, a superb feel for the natural rhythms of dialogue, and an absolute focus on the individuality and humanity of his characters. No mere trope or allotted plot-coupon can stand up to such an onslaught for long. Gradual crumbling and inevitable collapse are all they have to look forward to under his tender ministrations.

And how I've loved watching him at his work.

In the first two books in the series, Abercrombie took a smattering of staple fantasy stereotypes - the wizard mentor, the ultimate barbarian warrior, the feckless nobleman, and the quest to the far corners of the world for an object of ancient object of great power and mysticism - and dragged them kicking and screaming down from their lofty perches in order to give them a bloody good going over. Without wishing to commit an act of gross spolierage, the reveal at the end of book two was such a simple yet brilliant slap in the face for bog-standard fantasy that it had me punching the air in sheer delight.

The overall result has been a series steeped in subtle yet biting satire; one that - disguised as a traditional Campbellian quest-myth fantasy - undermines the whole tired, mangy old edifice and gives it a thoroughly modern overhaul. Sadly, a few reviewers - guilty perhaps of not reading much further than the surface layers - didn't seem to quite grasp that this was what he was about; mistaking his tongue-in-cheekery for yet another stock-in-trade fantasy quest trilogy. I fear they've rather missed the point.

Volume three continues in the same quietly anarchic vein, with more over-tired tropes battered to the canvas by Abercrombie's ascerbic wit and utter disregard for the assumed sanctity of well-worn genre conventions. I could list a half dozen off the top of my head, but again, I wouldn't want to ruin the fun for anyone else.

But before you draw the conclusion that spoof and mockery are all that Abercrombie is about, I'd also like to stress a few of the many strengths that this author brings to the writing table. His descriptive prose is succinct yet vivid, his pacing is excellent, and for a writer who claims nothing but disdain for the whole world-building process, he displays a wonderful eye for establishing consistently authentic politics and social organisation within his milieu, without boring the reader to tears with info-dumping in the process. Not for him the bog-standard three-kingdom fantasy world, with completely distinct cultures, a history of intense emnity and no economic interdependence whatsover. At least you get the sense that Abercrombie's world would actually work, however little time he's spent on building it.

And to cap it all off, I'd like to highlight the great inventiveness and originality he brings to his characterisation. For evidence of that you need look no further than one particularly superb character: the Inquisitor, Sand Dan Glotka.

First introduced to us as a tortured-cripple-turned-torturer, Glotka a man seemingly without scruples, morals, mercy or much more than a shred of decency in his whole twisted frame. Yet as the series has developed so has he, into one of the most engaging, intriguing and (somewhat bizarrely) sympathetic villains that you're likely to encounter in any form of literature, within the fantasy genre or without.

In Last Argument of Kings, for me at least, Glotka is the sublime star who steals the show. And any writer who can create a character who is as repulsively, shockingly and utterly human as Glotka, then make them live so convincingly and completely in the reader's imagination... well, that writer really does have a pretty bloody special talent at their command.

Say one thing for Joe Abercrombie, say he knows how to tell a bloody good tale.

Spot o' Disclosure: Joe Abercrombie is a website client of mine, yes. But I'd already read and loved the first two books before he succumbed to my outrageous threats and agreed to let me build a website for him. And when it comes to Recommended Reading, I only ever call them as I find them.
January 11, 2008 | Filed Under Books | 5 Comments 

Complete 2007 Reading List

In 2007 I managed to read 41 full-length books: 34 novels or novellas and 7 short fiction collections or anthologies.

I made myself a promise at the start of the year that, knowing full well how little reading time I have available these days, I was going to try to steer myself towards titles that I thought I'd have a very good to excellent chance of enjoying as much as possible. As a result I probably didn't read quite as many new authors (or authors that were new to me, at any rate) as I could have done. I think I kept to my promise rather well, although there were two additional titles that I started but was unable to finish.

As for 2007 being my year of the short story - as I'd mused back in December 2006 - well, seven anthologies and/or collections might not be much by some folks' standards, but it's more than I've managed to read in earlier years, and it's a trend I hope to continue into this year as well. I do love a good short story well told.

I also read (or, mainly, re-read) 36 graphic novels during the course of the year, which I might or might not list separately, depending on how the whole time / inclination pans out.

But here's the full list of all 43 prose titles, in the approximate order that I read them, or attempted to read them. In a subsequent post I plan to list my actual Books of the Year selection for 2007 (better late than never), and at the same time I'll let you know which two I didn't manage to finish. Although please do feel free to amuse yourselves by guessing which two they were via the comments section, should you feel the urge... :)

Click the book titles for buying info from Amazon.co.uk (all referral fees gratefully received...) although a couple of them will go to PS Publishing and two more to Earthling Books (where applicable).

This year I'm hoping to set aside an extra 30 minutes a day for reading, at lunchtime (to get away from the monitor if nothing else) and so I'm aiming to hit about 60 full-length books this year.

As usual I'll post Recommended Reading entries to TGF, along with occasional Reading Updates, just to help me keep track of where I'm up to, if nothing else. New Arrivals posts will likewise continue, and I'll keep an eye on things with Schedule Watch posts as and when. Just so you know... :)

January 6, 2008 | Filed Under Books | 2 Comments 

Cover Artistry / Recommended Reading: 'Halting State' by Charles Stross

Via the Orbit Books website, I've just caught my first glance of the cover for the new Charles Stross novel Halting State [Amazon], which Orbit will publish later this month.

And here it is:

'Halting State' by Charles Stross

I read Halting State towards the end of last year and, although I didn't manage to find time to talk about it at the time (much to my annoyance), I'm jumping in late to say that I thoroughly enjoyed it and can recommend it to anyone who enjoys a good crime-solving caper that's simultaneously a bit of a laugh.

It's set in a near-ish-future Glasgow Edinburgh (and bits of Glasgow) in which Web 2.0 Wizardry - of the sort that we're all just about getting used to at the moment, and then some - has become commonplace and largely mainstream and more widely applied. So for instance: your glasses-shaped personal heads-up display will show you a) exactly where the next bus is and how far that would be from the stop you're currently standing at, and b) which of the hoodie-clad teenagers on the top-deck are red-tagged with ASBO warning flags. Very useful, if you ask me.

It's also a near-ish-future in which virtual gaming is big, big mega-business. So when a virtual robbery that takes place within one of the leading commercial game worlds it turns out to have ramifications far, far beyond the theft of a smattering of electronic loot, especially once it's linked to an actual, real, meatspace-murder.

Enter one recently-unemployed coder, one career-ladder climbing e-insurance investigator and the hapless local constabulary, un-aided, obstructed and generally made to feel unwelcome by everyone, from the M.D. of the gaming co that's been robbed, to a passing EU cybercrime special forces unit...

All in all, it's a tightly-plotted whodunnit that rattles along, and is thoroughly steeped in geek culture to boot (Paul R, James B, Ed A and definitely Joe G, you guys should definitely be reading this one if you haven't already). And there are lots of delightfully nerdy in-jokes throughout, although I have to stress that it's far from being a humour novel per se, in the sense that, say, a Tom Holt or Robert Rankin book would be. Rather, it's got the same sort of dry, chuckle-provoking wit that you get from Iain Banks at his best, or from Michael Marshall Smith's early sf novels. Think 'sarcastic semi-sentient domestic appliances', rather than 'demonically-possessed video game controllers' and you won't be far off the general tone.

The thing is, though, do you really get that impression from the cover? Don't get me wrong, having read the book I think it fits the story quite well. But then I've read the book, so I have the benefit of hindsight, and the cover isn't having to work to sell the book to me as a potential reader. I also think I know exactly which potential readers Orbit are hoping to hook with this approach to jacketing Halting State; readers of the likes of Douglas Coupland...

'Microserfs' by Douglas Coupland - Click for ordering info from Amazon.co.uk      'JPod' by Douglas Coupland - Click for ordering info from Amazon.co.uk

...which is a pretty shrewd marketing move if you ask me and one that will hopefully help to flip the book over into mainstream consciousness, with the higher sales potential that's thereby implied and that the book definitely deserves.

Although - and here's what worries me - given that Charles Stross is a well-established SF author, and that bookstores do tend to be fairly anal about the whole categorisation / shelving thing... isn't there a danger that Halting State will just be dumped into the sf section as a matter of course? And that once there, the colourful, cartoonish sprites will give it the sort of Holt / Rankin air that could put off even some readers of Stross's hardcore sf novels? What does everyone else think?

Personally, I hope that the strength of Stross's ever-growing reputation will help carry it forward regardless of placement, and that plenty of general sf readers will read good reviews (like the ones flagged by Orbit), see past the cover - if indeed they do have a problem with it at all - and give the book a go. It's certainly recommended by me, for what that's worth...

And (equally, for what it's worth) if I was in the marketing department at Orbit, I'd be sending a pack of 10 copies to the editorial departments of Wired, T3, PC Gamer and every other gadget / computer game / geek magazine in the UK (and the US* Australia as well, assuming an international launch) just to get those guys talking about it on their own message boards and blogs. Because I reckon that's where the pay-off for Halting State is going to be. But then, knowing Orbit, they'll have thought of that one already...

* My bad: the US edition is published by Ace Books, not Orbit...

January 4, 2008 | Filed Under Books, Cover Art | 10 Comments 



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