One day in Chester - Eastercon Highlights

Jo and I thoroughly enjoyed our day at Eastercon on Saturday. The sun was shining down on Chester when we arrived, and we were very nearly diverted by the Chester Food & Drink Festival, which was going on in a large marquee next to the car park where we dropped off the motor. But instead we girded our loins, tightened our belts and plunged bravely into the gloom of the Chester Crowne Plaza, handing over our brace of one-day membership fees on the door.

At this point, we were both handed name-badges emblazoned with the word 'Saturday'; laminated to within an inch of their lives and - in the absence of permanent marker pens - with no chance to say anything else. Possibly the least-useful con-badge in history (there were a lot of anonymous "Saturdays" - I am not a day of the week! I am a free fan! - around), but you can see the appeal to the organisers of the mass-printing, and hey, if we'd bothered to register in advance, we could have had our moniker-of-choice included as well (as we later discovered). No matter.

The dealer's room was healthily populated, and I finally got a chance to say hello to Niall Harrison (pron. Neil, btw, in case like me you had no idea) who was manning a friend's bookstall. Niall is one of those unfortunate people who is even taller than I am (I'm 6'2" and trying to get a comfortable bus / theatre / 'plane seat is murder, so for Niall it must be pure hell) and alas, I was so stunned by this relative rarity that I made an inadvertent, knee-jerk, tall-joke gaff (with the emphasis on 'jerk'). Niall, I apologise, you must be heartily sick of hearing that sort of thing... and after he'd said I looked a lot younger than he expected, as well. For shame. And then he gave us a whole pile of the BSFA's Vector and Focus magazines (Niall is the editor of the former) to peruse as well. Gaah! Another classy foot+mouth combo from Ariel there...

Our trip to the dealer's room also resulted in a canny purchase of a hardback copy of Adam Roberts' collection of 'stories that never were and might never be', Swiftly (published by Night Shade Books), for a very reasonable tenner (from Niall's friend's stall, as it happened). Bargain!

Mind you, I was later trumped by John 'smug shopper' Berlyne, who found a pristine proof copy of Joe Abercrombie's debut The Blade Itself for a paltry three quid! Gaaaah! If you're interested, it'll probably be on eBay shortly, although you can expect the asking price to be a fair bit steeper...

On the way to the bar I made a point of saying hello to Paul Raven - better known as 'Armchair Anarchist' of Velcro City fame - who was looking none the worse for wear after an apparently quite titanic session the night (and most of the morning) before. Last to leave the bar on the first night of the Con: kudos. Also said hi to Andy Sawyer, of Liverpool University's Science Fiction Collection and repeated my oft-stated intention to get my arse over there one day for a visit. Honestly, I will. One day, just as soon as I'm not quite so darned busy...

Lunch followed, in the quite delightful company of Simon Spanton and Gillian Redfearn of Gollancz Books, plus the equally charming Stéphane Marsan, of France's top genre publisher Bragelonne, as well as the aforementioned Berlyne, and the inestimably wonderful Sandy Auden, my regular TAO / UKSFBN partner in crime.

Simon steered us to a very nice little Thai place he'd discovered / heard of / passed on the way into Chester, and a very good time was had by all. Pre-lunch, Gillian committed a wanton act of reading-list sabotage by thrusting a proof copy of Gollancz's Next Big Thing - the UK edition of The Name of the Wind by Patrick Rothfuss, which a lot of people are getting very excited about - into my convention bag. Which was most excellent of her (thank you, Gillian!) although now I have another 896 pages of must-read fantasy fiction to cram into my over-loaded queuing system. Woe is me... ;)

And on the way to the restaurant, an odd thing happened. We were wandering along one of Chester's main streets and I heard the sound of an electric violin. It was just starting to sweep into what sounded a whole lot like the opening bars of Ed Alleyne Johnson's 'Purple Electric Violin Concerto'. And sure enough, there he was, busking (and not for the first time) just a few feet from where I was standing...

I'm a big EA-J fan, ever since his work with New Model Army back in their Thunder and Consolation and Impurity days, and I've got a couple of his early CD's. I didn't realise that he had a new album out - a collection of cover versions of some of his favourite classic rock tracks from the '70s - so that was another tenner well-spent... and there are another couple of albums I haven't got yet, by the looks of things.

After lunch, the rest of the afternoon was spent back at the hotel, engaged in pleasant and entertaining conversation with John 'I'm a raconteur extraordinaire, me, luvvie' Berlyne, Sandy, and the occasional passer-by who sought rest at our table: shouts out to Paul Cornell, John Jarrold and Geoff Ryman, all of whom stopped by at some point, for varying lengths of time (some having the good sense to escape sooner than others...)

All in all, a damn fine day out. Looking forward immensely to Alt-Fiction in Derby at the end of the month, when we can do it all over again.

April 11, 2007 | Filed Under Books, Cons & Events, Music | 9 Comments

Genre Cover of the Month for February '07

We have a winner! With a very respectable 42% of the 98 votes cast in last month's poll, the GCotM accolade for Feb '07 goes to éditions Bragelonne's cover for their French-language translation of The Lies of Locke Lamora by Scott Lynch: Les Mensonges de Locke Lamora.

Bragelonne cover for 'Les Mensonges de Locke Lamora'

I really liked this cover myself, for two reasons: firstly because I thought it might have been a Les Edwards / Edward Miller creation (although after a quick email to Les I discovered that this wasn't the case), and secondly because I'm a sucker for the architecture of imaginary places. I tend not to be all that good at visualising locations when I'm reading a book, so it's always fascinating to see how someone with some genuine artistic talent can interpret a scene or setting for a book I've enjoyed.

So yes, this cover would definitely have made me - personally - pick the book out from a table display. But then judging by the pattern of voting - an early lead for Ink, followed by a determined surge for both Les Menonges and Already Dead - perhaps the classic fantasy look doesn't have quite the same pull for everyone.

I'll see if I can get in touch with the editor, artist and author to get their individual take on the cover sometime this week. And I'll be posting the nominated covers for March later in the week as well; I want to look into a way of linking the poll to the original post with the cover images a bit better this month. I rather suspect that some folks might have been put off clicking on the poll because they didn't know what, exactly, they were voting for. And I likewise suspect that some folks ended up voting for the book, rather than what they considered, objectively and personally, to be the strongest cover.

Early days though, plenty of time to fine-tune as we go along, eh?