Big, big news
As announced on the Orbit Books website yesterday, I am utterly thrilled to have been hired as Orbit's new (online) marketing exec!
I officially start on April 7th, although as you can imagine there are plenty of emails flying back and forth already. And I'm not exactly a stranger to the Orbit offices, having worked on a few projects for George and the team already, including websites for Brian Ruckley, Philip Palmer and, of course, Iain [M] Banks.
It's an incredibly exciting opportunity and one that I know I'll enjoy getting stuck in to immensely: Orbit are one of the UK's largest and most forward-looking sf / f imprints and I'll be given the chance to work on a very wide range of online projects and promotions, with a bewildering array of global genre fiction talent, including some of the very best UK authors; established names and rising stars alike. Calling it the opportunity of a lifetime really wouldn't be a case of hyperbole on my part...
Of course, this does mean that I'm going to have to give up my freelance status and the work I've been doing with my non-Orbit clients. Letting everyone know has been a bit of a wrench, but every single one of the folks I spent a total of about five hours on the phone to yesterday were nothing short of delighted for me, and everyone has wished me nothing less than huge success in the future.
I've also been talking to someone who I think would make an ideal replacement webguy and all the clients I've mentioned the possibility to so far have been very keen on the idea. So, all being well, a successful handover will hopefully happen smoothly and quite soon.
Blogging-wise... let's just say that I'm reviewing the situation on an ongoing basis. I think The Genre Files may end up going into some sort of hibernation. Personally, I think it would be very difficult for me to post regular book reviews across a wide range of publishers' and authors' work. I suspect the implied bias of my position at Orbit will impinge on the perceived neutrality of my opinion to the point of rendering the exercise largely meaningless.
UK SF Book News will continue for the foreseeable future. Sandy and I were already working on plans to re-vamp the site again, putting an even stronger emphasis on news aggregation, link posting and original interview material. Our aim is to spread as much of the word as we can get our hands on as far and wide as we possibly can whilst providing as much original interview content as we have time for. The site will also become ad-free and affiliate-free, but then that's no bad thing as the time saved by not having to add affiliate info to items will mean more content posted in the long run.
Beyond that, who knows? I'm always coming up with ideas for new blog-based projects. I'll just have to see how much time is available once I've settled into my new role.
Wish me luck! :D
Highly Recommended Reading: 'Black Ships' by Jo Graham
Black Ships, which will be published by Orbit Books in the US in March and in the UK in July, is author Jo Graham's debut novel; although this is something I found increasingly hard to believe the more I read of this stirring, gripping, excellently-written and thoroughly engrossing tale of the last Prince of Troy and the remnants of his once-proud people.
The story is told from the point of view of Pythia - once called Gull - a young priestess of the Goddess of Death. We first learn of her early life as daughter of a Trojan woman captured into slavery by the Achaeans and her initiation into the Dark Lady's Mysteries. The character then truly bursts into life when she becomes one of the pivotal points of the narrative as the Sybil and Oracle to Aeneas, the Trojan Prince who comes to the lands of her captors to seek a newly-enslaved group of his people, before setting sail for the mighty kingdoms of the eastern Mediterranean.
The emphasis of the book is placed very firmly on three principle characters: Pythia herself, who is an extremely well-rounded individual and, as both narrator and narrative instrument, someone who is incredibly easy to empathise with, and the two great loves of her life - Aeneas and Xandros - who are equally human and three-dimensional in their presentation. The inter-relationship between these three is the framework on which the tapestry of the novel's events is woven, and is explored in a manner that's thoroughly accessible, yet feels equally well-rooted in the customs and traditions of the time.
I also found the setting and background detail particularly fascinating. Jo Graham must surely have read some of the same tomes of historical investigation that I was once almost completely hooked on. She presents a subtly altered version of accepted historical events; one that draws on some of the more intriguing alternative theories of Bronze Age history surrounding the 'Hyksos', or 'Sea-Peoples', that have been published over the last twenty years or so. Of course, her book is still a work of fiction - she's not attempting to re-write history herself - but it's interesting to see some of these twists on the accepted timeline given a context and detail that makes them seem tantalisingly feasible.
All in all, it's an incredibly well-told, incredibly compelling story, narrated in the sort of epic mode employed by the likes of Steven Pressfield, and (I assume, although I've not read as many as I'd have liked) other re-tellers of the sagas of the Bronze Age heroes. Jo Graham consistently maintains an appropriately archaic tone and cadence to her writing, but without making it sound pompously Epic to the point of being unreadable. She also takes pains to avoid jarring modernisms and the rhythm of her writing style is one that flows easily and naturally, making this an extremely pleasurable read, one I practically flew through. Cliché time: Black Ships is a definite page-turner, one I honestly was loathe to put down.
And as I said earlier, such was the strength of her writing that I found it extremely difficult to believe that this was genuinely the work of a debut author; surely some sneaky pseudonym instead? But the author's notes at the end of this proof copy of the book convinced me otherwise. In which case, I have no hesitation in declaring this to be a debut of rare quality and surely the first step on the road to a highly successful career. And based on Hollywood's seemingly insatiable demand for re-telling the epics, a movie deal can be only just around the corner?
Speaking of the author's notes, I also learned from them that Black Ships is actually a re-telling of Virgil's Aeneid, the National Epic of the Roman Empire. Those with a clearly superior Classical education to mine will no doubt have spotted that from my introductory papragraph (and may sneer at will...) but I wasn't aware of the fact until I'd read the author's notes at the back of the book.
I really don't think that knowing this ahead of time would have spoiled my enjoyment of this excellent novel, although it might have given me an irrational urge to read the source materail before I read the modern-day version. That, I think, would have been a major mistake, because knowing the state of my reading schedule I'd have never gotten round to it and then might have missed out on what must surely be an early contender for one of my novels of the year.
Highly recommended, to anyone who enjoys the epic sweep of the Bronze Age sagas and to fans of historical semi-fantasy everywhere; most definitely.
Cover Artistry / Recommended Reading: 'Halting State' by Charles Stross
Via the Orbit Books website, I've just caught my first glance of the cover for the new Charles Stross novel Halting State [Amazon], which Orbit will publish later this month.
And here it is:
I read Halting State towards the end of last year and, although I didn't manage to find time to talk about it at the time (much to my annoyance), I'm jumping in late to say that I thoroughly enjoyed it and can recommend it to anyone who enjoys a good crime-solving caper that's simultaneously a bit of a laugh.
It's set in a near-ish-future Glasgow Edinburgh (and bits of Glasgow) in which Web 2.0 Wizardry - of the sort that we're all just about getting used to at the moment, and then some - has become commonplace and largely mainstream and more widely applied. So for instance: your glasses-shaped personal heads-up display will show you a) exactly where the next bus is and how far that would be from the stop you're currently standing at, and b) which of the hoodie-clad teenagers on the top-deck are red-tagged with ASBO warning flags. Very useful, if you ask me.
It's also a near-ish-future in which virtual gaming is big, big mega-business. So when a virtual robbery that takes place within one of the leading commercial game worlds it turns out to have ramifications far, far beyond the theft of a smattering of electronic loot, especially once it's linked to an actual, real, meatspace-murder.
Enter one recently-unemployed coder, one career-ladder climbing e-insurance investigator and the hapless local constabulary, un-aided, obstructed and generally made to feel unwelcome by everyone, from the M.D. of the gaming co that's been robbed, to a passing EU cybercrime special forces unit...
All in all, it's a tightly-plotted whodunnit that rattles along, and is thoroughly steeped in geek culture to boot (Paul R, James B, Ed A and definitely Joe G, you guys should definitely be reading this one if you haven't already). And there are lots of delightfully nerdy in-jokes throughout, although I have to stress that it's far from being a humour novel per se, in the sense that, say, a Tom Holt or Robert Rankin book would be. Rather, it's got the same sort of dry, chuckle-provoking wit that you get from Iain Banks at his best, or from Michael Marshall Smith's early sf novels. Think 'sarcastic semi-sentient domestic appliances', rather than 'demonically-possessed video game controllers' and you won't be far off the general tone.
The thing is, though, do you really get that impression from the cover? Don't get me wrong, having read the book I think it fits the story quite well. But then I've read the book, so I have the benefit of hindsight, and the cover isn't having to work to sell the book to me as a potential reader. I also think I know exactly which potential readers Orbit are hoping to hook with this approach to jacketing Halting State; readers of the likes of Douglas Coupland...
...which is a pretty shrewd marketing move if you ask me and one that will hopefully help to flip the book over into mainstream consciousness, with the higher sales potential that's thereby implied and that the book definitely deserves.
Although - and here's what worries me - given that Charles Stross is a well-established SF author, and that bookstores do tend to be fairly anal about the whole categorisation / shelving thing... isn't there a danger that Halting State will just be dumped into the sf section as a matter of course? And that once there, the colourful, cartoonish sprites will give it the sort of Holt / Rankin air that could put off even some readers of Stross's hardcore sf novels? What does everyone else think?
Personally, I hope that the strength of Stross's ever-growing reputation will help carry it forward regardless of placement, and that plenty of general sf readers will read good reviews (like the ones flagged by Orbit), see past the cover - if indeed they do have a problem with it at all - and give the book a go. It's certainly recommended by me, for what that's worth...
And (equally, for what it's worth) if I was in the marketing department at Orbit, I'd be sending a pack of 10 copies to the editorial departments of Wired, T3, PC Gamer and every other gadget / computer game / geek magazine in the UK (and the US* Australia as well, assuming an international launch) just to get those guys talking about it on their own message boards and blogs. Because I reckon that's where the pay-off for Halting State is going to be. But then, knowing Orbit, they'll have thought of that one already...
* My bad: the US edition is published by Ace Books, not Orbit...
Schedule Watch: Orbit, through to November 2008
The latest copy of the Orbit Books publication schedule came through from Sam Smith earlier in the week, with new titles through to November 2008. Seems like a good opportunity to pick up where I left off last time...
Glancing down the new listing, I see that Orbit are putting out a couple of new series. Well, new to the UK, anyway. The first is the Castings Trilogy by Australian author Pamela Freeman. Orbit have had great success in recent years by importing ready-published series from Down Under and releasing them in quick succession in the UK, which is a great business model for building a fan-base as it keeps the enthusiasm-levels fresh. Look for the first two of those, Blood Ties [Amazon] and Deep Water [Amazon] in June and October '08, with the third part to follow around about September '09 (according to the schedule on Pamela's website).
The second is a feisty-heroine supernatural romance type series that's already established in the US: the 'Mercedes Thompson' ("VW Mechanic and Shapechanger") books by Patricia Briggs. Moon Called [Amazon] will be first up, in June, followed by Blood Bound [Amazon] in July and Iron Kissed [Amazon] in August. Much more Jo's sort of thing that mine, I have to admit, but she does tend to throw anything really good at my head and demand that I read it, so you never know.
A few more feisty-heroine supernatural romance type titles in the offing as well, with new books from Jennifer Rardin, Lilith Saintcrow and Kelley Armstrong, so between these and the entire Gollancz Romancz list, Jo should be anticipating a full reading schedule herself next year.
But these are the titles that I'm personally looking forward to trying to shoe-horn into my reading schedule:
- Charlie Huston's new 'Joe Pitt' novel, Half the Blood of Brooklyn [Amazon] will be published in February. Good old supernatural investigation, without the excessive snogging and all the rest of that girly stuff. Much more my shot of bourbon... ;)
- The Execution Channel [Amazon] by Ken MacLeod appears in paperback in February as well. I've had the hardback on my 'godsdammit, you have got to make time for these...' shelf since publication. The paperback has to be read...
- A new Dresden Files title, Small Favour [Amazon] is out in April, the first time Orbit will have published Jim Butcher in hardback. So that's a double-dose of Harry Dresden early next year, then, what with the paperback of White Night [Amazon] appearing in January...
- Black Ships [Amazon] by debutant Jo Graham sounds like an intriguing historical fantasy: a girl with the power of oracle journeys the ancient Middle East in the company of an exiled Trojan prince... could be interesting.
That's pretty much the cream of the crop, personally speaking. And a good crop it looks like being, too, especially with the rest of the titles on the schedule - lots of new series fantasy and a few re-issues sprinkled in for good measure - weighing in as well.
Incidentally, any other publishers who happen to glance this way, by all means feel free to send me your schedules and I'll do my best to give 'em a similar once-over...
Cover Debate: Mike Carey's 'Dead Men's Boots'
On the off-chance you've been following the discussion that's sprung up in the comments section of the previous thread and have been getting annoyed flicking back and forth between here and Amazon to compare the two covers and see what all the fuss is about (I know I have), here they both are:

The version on the left is the one that was originally circulated by Orbit. The version on the right is the one that it was replaced with, and that will be on the cover of the book when it hits the shelves towards the end of the month.
Please feel free to add your own comments on the relative merits of the two on either this post or the previous one, should you feel the urge.
Schedule Watch: Orbit and Tor UK
I've just received the latest update to the publication schedule for Orbit Books, and I've been hanging on to a schedule that Tor UK sent through a few weeks back.
Personal highlights for me look like they'll be:
Orbit
- Mike Carey's third Felix Castor novel, Dead Men's Boots [Amazon] is almost upon us: publication date September 6th. (Amazon seem to have the wrong artwork there...)
- I've been promising myself that I'll put aside some time to dive into something by Charles Stross and I might just start with The Jennifer Morgue [Amazon], which is also out early next month, in paperback, and follow that up with Halting State [Amazon], which is due in January.
- The third part of K.J. Parker's Engineer Trilogy - The Escapement [Amazon] - will be published in December. Hopefully it'll improve on the rather slow pacing of the second volume (memo to self: pull finger out and post about that one, you finished it weeks ago...)
- I've already read Debatable Space [Amazon], the debut novel by Philip Palmer, which is due to be published in January. Space opera with an acid twist, well worth trying out.
- Jim Butcher's next Dresden Files novel, White Night [Amazon] is another January title. One for the must-read shelf.
- And who isn't looking forward to Matter [Amazon], the new Iain M Banks Culture novel? Due February.
That'll do for Orbit for now. I'll pick a few more from 2008 next time.
Tor UK
- The Waking [Amazon] by T.M. Jenkins looks like an intriguing sf / thriller amalgam. One for the old pool-side, read-til-I-drop holiday later in the year, maybe...
- That man Stross again... Tor are publishing the UK edition of the first part of his Merchant Princes series, The Family Trade [Amazon] will be out in November.
Time to start planning a bit of a to-be-read list re-organisation... :)
Forthcoming titles of note from Orbit UK
Orbit UK sent through their publication schedule for the next 12 months yesterday. A few titles of particular interest (personally speaking) leapt out at me from the list:
- The Execution Channel, Ken MacLeod's near-future uber-dystopia will be out any day now, with an official publication date of April 5th. [Amazon]
- Dead Men's Boots, the new Felix Castor novel by Mike Carey is due on September 6th. [Amazon]
- Escapement, part three of the Engineer Trilogy by K.J. Parker, will be published in early December. [Amazon]
- And, currently scheduled for February '08: 'Untitled Iain M Banks sf'...
Looking forward to all of those (plus the merry hell that they'll be playing with my reading schedule). And I'm sure Orbit would like me to point out that all publication dates are provisional at this stage and may be subject to potential change etc.






