Highly Recommended Reading: 'Last Argument of Kings' by Joe Abercrombie
A couple of days ago I finished Last Argument of Kings, the third and final part of Joe Abercrombie's debut series, The First Law. And I reckon that all in all it has been one of the most incredible, twisted, inventive and above all utterly enjoyable fantasy reading experiences I've had in a very, very long time.
Throughout The First Law Abercrombie has taken a perverse delight in herding the cherished conventions of the fantasy genre into a dank, darkened cell before gleefully waving the instruments of their interrogation before their frightened faces. The chief implements in Abercrombie's literary armoury are narrative surprise, a very dark streak of humour, an earthy and authentic use of language and dialect, a superb feel for the natural rhythms of dialogue, and an absolute focus on the individuality and humanity of his characters. No mere trope or allotted plot-coupon can stand up to such an onslaught for long. Gradual crumbling and inevitable collapse are all they have to look forward to under his tender ministrations.
And how I've loved watching him at his work.
In the first two books in the series, Abercrombie took a smattering of staple fantasy stereotypes - the wizard mentor, the ultimate barbarian warrior, the feckless nobleman, and the quest to the far corners of the world for an object of ancient object of great power and mysticism - and dragged them kicking and screaming down from their lofty perches in order to give them a bloody good going over. Without wishing to commit an act of gross spolierage, the reveal at the end of book two was such a simple yet brilliant slap in the face for bog-standard fantasy that it had me punching the air in sheer delight.
The overall result has been a series steeped in subtle yet biting satire; one that - disguised as a traditional Campbellian quest-myth fantasy - undermines the whole tired, mangy old edifice and gives it a thoroughly modern overhaul. Sadly, a few reviewers - guilty perhaps of not reading much further than the surface layers - didn't seem to quite grasp that this was what he was about; mistaking his tongue-in-cheekery for yet another stock-in-trade fantasy quest trilogy. I fear they've rather missed the point.
Volume three continues in the same quietly anarchic vein, with more over-tired tropes battered to the canvas by Abercrombie's ascerbic wit and utter disregard for the assumed sanctity of well-worn genre conventions. I could list a half dozen off the top of my head, but again, I wouldn't want to ruin the fun for anyone else.
But before you draw the conclusion that spoof and mockery are all that Abercrombie is about, I'd also like to stress a few of the many strengths that this author brings to the writing table. His descriptive prose is succinct yet vivid, his pacing is excellent, and for a writer who claims nothing but disdain for the whole world-building process, he displays a wonderful eye for establishing consistently authentic politics and social organisation within his milieu, without boring the reader to tears with info-dumping in the process. Not for him the bog-standard three-kingdom fantasy world, with completely distinct cultures, a history of intense emnity and no economic interdependence whatsover. At least you get the sense that Abercrombie's world would actually work, however little time he's spent on building it.
And to cap it all off, I'd like to highlight the great inventiveness and originality he brings to his characterisation. For evidence of that you need look no further than one particularly superb character: the Inquisitor, Sand Dan Glotka.
First introduced to us as a tortured-cripple-turned-torturer, Glotka a man seemingly without scruples, morals, mercy or much more than a shred of decency in his whole twisted frame. Yet as the series has developed so has he, into one of the most engaging, intriguing and (somewhat bizarrely) sympathetic villains that you're likely to encounter in any form of literature, within the fantasy genre or without.
In Last Argument of Kings, for me at least, Glotka is the sublime star who steals the show. And any writer who can create a character who is as repulsively, shockingly and utterly human as Glotka, then make them live so convincingly and completely in the reader's imagination... well, that writer really does have a pretty bloody special talent at their command.
Say one thing for Joe Abercrombie, say he knows how to tell a bloody good tale.
Client website update: full Joe Abercrombie site goes live
Well folks, here it is: the full version of www.joeabercrombie.com, including an extract from Last Argument of Kings, the third and final part of Joe's rather superb The First Law trilogy, which hasn't been published anywhere else to-date.
It's been an absolute pleasure working with Joe on the site-build. As a film editor by trade he's got a very keen eye for both visual arrangement and fine detail, so his feedback and suggestions have been great all the way along. And as I've always confessed to not counting graphic design as one of my greatest strengths (but dammit, I'll build you a website that works) I've really appreciated the input.
And I reckon the end result is not too shabby at all, if I do say so myself... :)
New client website goes live: JoeAbercrombie.com
Another initial page of content went live as of yesterday; it's been a good couple of weeks on the work-front. This one is for a brand new client, and someone I'm particularly thrilled to be building a website for, given that I really, really enjoyed his first book or two.
Currently www.joeabercrombie.com is a holding page containing some information about the first two books in his The First Law series: The Blade Itself and Before They Are Hanged, as well as a mailing list sign-up form and an email contact address. Joe and I will be working on a much more comprehensive site later in the year; the target is June / July (ish), work-load (Joe's) permitting.
Again, it's a simple design, using the parchment background to reflect the cover-theme of The Blade Itself. The only thing I might do differently, thinking about it, is improve the header, try to put it into a gothic-serif font to try to match the book's lettering. That would look better, but give Google less relevancy-matching to get its teeth into, but then the primary domain should grab Google's attention quite nicely. I'll think I'll see how it goes for now.
And as always, any comments or feedback - or thoughts as to what sort of content you'd like to see on the finished site - would be gratefully received!





